Today was a school day for me – and despite the horrible weather, I arrived at New England School of Art & Interior Design earlier than usual. At my table there were piles of magazines being used for a project our class is doing on color and composition. Squarely in my space, as if it were meant for me, was a circa 1998 Architectural Digest. If you know me, you know this is my favorite magazine – it’s like a gift in my mailbox each month. Instead of getting my homework out, I spent my pre-class time flipping through the pages. It was the annual edition where they showcase designer’s own homes, which was an interesting snapshot of the times.
I was not a designer in 1998. At least, I didn’t know it. I was working at MacKenzie Childs in Aurora NY doing public relations for the high-end pottery and home line. I did know I loved the creative energy there, and was energized by being around the home and furnishings industry. I had my first REAL apartment (read: no rodents or drunken roommates or neighbors). I of course reveled in decorating on the tiny budget I had. My splurge was an oversized sofa and one of those “chair-and-a-halves” from Raymour & Flanigan (and a bunch of MacKenzie Childs trinkets from the Seconds Shoppe!). My sofa fabric was a brassy-toned damask, with pillows with burgundy and olive fringe. That color scheme was big, and I saw lots of it in the AD magazine from that era (PS I think the olive is on its way back, but I digress!). When perusing the pages, it was easy to look back and criticize what was not as attractive to look at (tons of busy florals, fabric EVERYWHERE, and not a spec of undecorated space) but I was really interested to see what styles, designs and colors were present back then that are still holding strong today. Here are a few of my observations of the things that have stood the test of time:
Always adding a something unexpected, a little (key word little) animal print is always right and does not age!
Also above. Panel drapes are timeless. Period.
Call it “safe” or “boring”, but some of the only rooms that did not look “dated” were designs that used beiges, browns and whites – very clean, uncluttered and classic. Maybe a bit on the not-so-interesting side, but none the less I’m confident the homeowner was happy in those spaces for many years, and that perhaps only small changes kept things fresh.
I actually saw a SISAL. For real, it’s in this master bedroom. Although not right for every space, sisal is a home-run piece for many reasons – affordability, flexibility, and style.
LESS IS MORE
The rooms that looked the best were the ones where you could actually see what was in the room. By that I mean a good focal point – one, or maybe two – but not dozens. Space to breathe. The more contemporary spaces seemed to have a handle on this concept. The traditional spaces – not so much.
WOOD IS GOOD
When it comes to flooring, the most dated rooms had some sort of tile in a pattern that was either loud or busy. Same for rugs. Good ol’ plain hardwoods looked timeless.
I’m saving this year’s Designer edition of AD in a “time capsule” – it will be interesting to see what the next 16 years brings!
Images Courtesy Architectural Digest